A precocious revolutionary in politics I was no less a precocious revolutionary in art. At that time the provincial capital of Upper Austria had a theatre which, relatively speaking, was not bad. Almost everything was played there. When I was twelve years old I saw William Tell performed. That was my first experience of the theatre. Some months later I attended a performance of LOHENGRIN, the first opera I had ever heard. I was fascinated at once. My youthful enthusiasm for the Bayreuth Master knew no limits. Again and again I was drawn to hear his operas; and to-day I consider it a great piece of luck that these modest productions in the little provincial city prepared the way and made it possible for me to appreciate the better productions later on.