She kept even Stepan Trofimovitch at a distance, allowing him to take lodgings in another house (a change for which he had long been worrying her under various pretexts). Little by little Stepan Trofimovitch began to call her a prosaic woman, or more jestingly, “My prosaic friend.” I need hardly say he only ventured on such jests in an extremely respectful form, and on rare, and carefully chosen, occasions.

All of us in her intimate circle felt⁠—Stepan Trofimovitch more acutely than any of us⁠—that her son had come to her almost, as it were, as a new hope, and even as a sort of new aspiration. Her passion for her son dated from the time of his successes in Petersburg society, and grew more intense from the moment that he was degraded in the army. Yet she was evidently afraid of him, and seemed like a slave in his presence. It could be seen that she was afraid of something vague and mysterious which she could not have put into words, and she often stole searching glances at “Nicolas,” scrutinising him reflectively⁠ ⁠… and behold⁠—the wild beast suddenly showed his claws.