Waiting off Suez was the Lama , a small converted liner; and in her we left immediately. Such short voyages on warships were delicious interludes for us passengers. On this occasion, however, there was some embarrassment. Our mixed party seemed to disturb the ship’s company in their own element. The juniors had turned out of their berths to give us night space, and by day we filled their living rooms with irregular talk. Storrs’ intolerant brain seldom stooped to company. But today he was more abrupt than usual. He turned twice around the decks, sniffed, “No one worth talking to,” and sat down in one of the two comfortable armchairs, to begin a discussion of Debussy with Aziz el Masri (in the other). Aziz, the Arab-Circassian ex-colonel in the Turkish Army, now general in the Sherifian Army, was on his way to discuss with the Emir of Mecca the equipment and standing of the Arab regulars he was forming at Rabegh. A few minutes later they had left Debussy, and were depreciating Wagner: Aziz in fluent German, and Storrs in German, French and Arabic. The ship’s officers found the whole conversation unnecessary.
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