I am not at the moment writing a fairy tale, and am far from intending to alarm the reader, but the picture I saw from the passage was fantastic and could only have been drawn by death. Straight before me was a door leading to a little drawing room. Three five-kopeck wax candles, standing in a row, threw a scanty light on the faded slate-coloured wallpaper. A coffin was standing on two tables in the middle of the little room. The two candles served only to light up a swarthy yellow face with a half-open mouth and sharp nose. Billows of muslin were mingled in disorder from the face to the tips of the two shoes, and from among the billows peeped out two pale motionless hands, holding a wax cross. The dark gloomy corners of the little drawing room, the icons behind the coffin, the coffin itself, everything except the softly glimmering lights, were still as death, as the tomb itself.
“How strange!” I thought, dumbfounded by the unexpected panorama of death. “Why this haste? The lodger has hardly had time to hang himself, or shoot himself, and here is the coffin already!”
I looked round. On the left there was a door with a glass panel; on the right a lame hatstand with a shabby fur coat on it. …
“Water. …” I heard a moan.
The moan came from the left, beyond the door with the glass panel. I opened the door and walked into a little dark room with a solitary window, through which there came a faint light from a street lamp outside.
“Is anyone here?” I asked.