The wagoner in the reddish-brown coat and the spongy swelling on his face, who was conducting an unseen choir, stopped. Hearing his name, and waiting till Panteley and Vassya came up to him, he walked beside them.

“What are you talking about?” he asked in a husky muffled voice.

“Why, Vassya here is angry,” said Panteley. “So I have been saying things to him to stop his being angry.⁠ ⁠… Oh, how my swollen feet hurt! Oh, oh! They are more inflamed than ever for Sunday, God’s holy day!”

“It’s from walking,” observed Vassya.

“No, lad, no. It’s not from walking. When I walk it seems easier; when I lie down and get warm,⁠ ⁠… it’s deadly. Walking is easier for me.”

Emelyan, in his reddish-brown coat, walked between Panteley and Vassya and waved his arms, as though they were going to sing. After waving them a little while he dropped them, and croaked out hopelessly:

“I have no voice. It’s a real misfortune. All last night and this morning I have been haunted by the trio ‘Lord, have Mercy’ that we sang at the wedding at Marionovsky’s. It’s in my head and in my throat. It seems as though I could sing it, but I can’t; I have no voice.”

He paused for a minute, thinking, then went on:

“For fifteen years I was in the choir. In all the Lugansky works there was, maybe, no one with a voice like mine. But, confound it, I bathed two years ago in the Donets, and I can’t get a single note true ever since. I took cold in my throat. And without a voice I am like a workman without hands.”

“That’s true,” Panteley agreed.

“I think of myself as a ruined man and nothing more.”

At that moment Vassya chanced to catch sight of Yegorushka. His eyes grew moist and smaller than ever.