“That’s all right!” sniggered Semyon, “go and change them.⁠ ⁠… Where am I to find him now? He went off an hour ago.⁠ ⁠… Go and look for the wind in the fields!”

“Where does he live then?”

“Who can tell? He comes here every Tuesday, and where he lives I don’t know. He comes and stays the night, and then you may wait till next Tuesday.⁠ ⁠…”

“There, do you see, you brute, what you have done? Why, what am I to do now? It is time I was at Madame la Générale Shevelitsyn’s, you anathema! My feet are frozen!”

“You can change the boots before long. Put on these boots, go about in them till the evening, and in the evening go to the theatre.⁠ ⁠… Ask there for Blistanov, the actor.⁠ ⁠… If you don’t care to go to the theatre, you will have to wait till next Tuesday; he only comes here on Tuesdays.⁠ ⁠…”

“But why are there two boots for the left foot?” asked the piano-tuner, picking up the boots with an air of disgust.

“What God has sent him, that he wears. Through poverty⁠ ⁠… where is an actor to get boots? I said to him ‘What boots, Pavel Alexandritch! They are a positive disgrace!’ and he said: ‘Hold your peace,’ says he, ‘and turn pale! In those very boots,’ says he, ‘I have played counts and princes.’ A queer lot! Artists, that’s the only word for them! If I were the governor or anyone in command, I would get all these actors together and clap them all in prison.”

Continually sighing and groaning and knitting his brows, Murkin drew the two left boots on to his feet, and set off, limping, to Madame la Générale Shevelitsyn’s. He went about the town all day long tuning pianos, and all day long it seemed to him that everyone was looking at his feet and seeing his patched boots with heels worn down at the sides! Apart from his moral agonies he had to suffer physically also; the boots gave him a corn.