Corncrakes and quails do not call in the July nights, the nightingale does not sing in the woodland marsh, and there is no scent of flowers, but still the steppe is lovely and full of life. As soon as the sun goes down and the darkness enfolds the earth, the day’s weariness is forgotten, everything is forgiven, and the steppe breathes a light sigh from its broad bosom. As though because the grass cannot see in the dark that it has grown old, a gay youthful twitter rises up from it, such as is not heard by day; chirruping, twittering, whistling, scratching, the basses, tenors and sopranos of the steppe all mingle in an incessant, monotonous roar of sound in which it is sweet to brood on memories and sorrows. The monotonous twitter soothes to sleep like a lullaby; you drive and feel you are falling asleep, but suddenly there comes the abrupt agitated cry of a wakeful bird, or a vague sound like a voice crying out in wonder “A-ah, a-ah!” and slumber closes one’s eyelids again. Or you drive by a little creek where there are bushes and hear the bird, called by the steppe dwellers “the sleeper,” call “Asleep, asleep, asleep!” while another laughs or breaks into trills of hysterical weeping⁠—that is the owl.

Everything can be seen through the mist, but it is hard to make out the colours and the outlines of objects. Everything looks different from what it is. You drive on and suddenly see standing before you right in the roadway a dark figure like a monk; it stands motionless, waiting, holding something in its hands.⁠ ⁠… Can it be a robber? The figure comes closer, grows bigger; now it is on a level with the chaise, and you see it is not a man, but a solitary bush or a great stone. Such motionless expectant figures stand on the low hills, hide behind the old barrows, peep out from the high grass, and they all look like human beings and arouse suspicion.