Coming back with the water, Kiruha and Vassya filled the cauldron and fixed it over the fire. Styopka, with the notched spoon in his hand, took his place in the smoke by the cauldron, gazing dreamily into the water for the scum to rise. Panteley and Emelyan were sitting side by side in silence, brooding over something. Dymov was lying on his stomach, with his head propped on his fists, looking into the fire.⁠ ⁠… Styopka’s shadow was dancing over him, so that his handsome face was at one minute covered with darkness, at the next lighted up.⁠ ⁠… Kiruha and Vassya were wandering about at a little distance gathering dry grass and bark for the fire. Yegorushka, with his hands in his pockets, was standing by Panteley, watching how the fire devoured the grass.

All were resting, musing on something, and they glanced cursorily at the cross over which patches of red light were dancing. There is something melancholy, pensive, and extremely poetical about a solitary tomb; one feels its silence, and the silence gives one the sense of the presence of the soul of the unknown man who lies under the cross. Is that soul at peace on the steppe? Does it grieve in the moonlight? Near the tomb the steppe seems melancholy, dreary and mournful; the grass seems more sorrowful, and one fancies the grasshoppers chirrup less freely, and there is no passerby who would not remember that lonely soul and keep looking back at the tomb, till it was left far behind and hidden in the mists.⁠ ⁠…

“Grandfather, what is that cross for?” asked Yegorushka.

Panteley looked at the cross and then at Dymov and asked:

“Nikola, isn’t this the place where the mowers killed the merchants?”