Introduction

And now it will be possible to have done with his foibles, all the rest in Sterne being for praise, with hardly any mixture of blame. We have seen what he borrowed from others, mostly to his hurt; let us now see what he contributed of his own, almost wholly to his credit and advantage. He had, in the first place, what most writers when they begin almost invariably and almost inevitably lack, a long and carefully amassed store, not merely of reading, but of observation of mankind. Although his nearly fifty years of life had been in the ordinary sense uneventful, they had given him opportunities which he had amply taken. A “son of the regiment,” he had evidently studied with the greatest and most loving care the ways of an army which still included a large proportion of Marlborough’s veterans; and it has been constantly and reasonably held that his chief study had been his father, whom he evidently adored in a way. Roger Sterne is the admitted model of my Uncle Toby; and I at least have no doubt that he was the original of Mr. Shandy also, for some of the qualities which appear in his son’s character of him are Walter’s, not Toby’s. It would have required, perhaps, even greater genius than Sterne possessed, and an environment less saturated with the delusive theory of the “ruling passion,” to have given us the mixed and blended temperament instead of separating it into two gentlemen at once, and making Walter Shandy all wayward intellect, and Tobias all gentle goodness. But if it had been done⁠—as Shakespeare perhaps alone could have done it⁠—we should have had a greater and more human figure than either. Mr. Shandy would then never have come near, as he does sometimes, to being a bore; and my Uncle Toby (if I may say so without taking the wings of the morning to flee from the wrath of the extreme Tobyolaters) would have been saved from the occasional appearance of being something like a fool.