It is certain that in the future the importance of the individual states will be transferred to the sphere of our cultural policy. The monarch who did most to make Bavaria an important centre was not an obstinate particularist with anti-German tendencies, but Ludwig I who was as much devoted to the ideal of German greatness as he was to that of art. His first consideration was to use the powers of the state to develop the cultural position of Bavaria and not its political power. And in doing this he produced better and more durable results than if he had followed any other line of conduct. Up to this time Munich was a provincial residence town of only small importance, but he transformed it into the metropolis of German art and by doing so he made it an intellectual centre which even to-day holds Franconia to Bavaria, though the