women with thick bare legs and thin arms, separating from the others, went behind the wings, adjusted her bodice, returned to the middle of the stage, and began jumping and striking one foot rapidly against the other. In the stalls everyone clapped and shouted “bravo!” Then one of the men went into a corner of the stage. The cymbals and horns in the orchestra struck up more loudly, and this man with bare legs jumped very high and waved his feet about very rapidly. (He was Duport, who received sixty thousand rubles a year for this art.) Everybody in the stalls, boxes, and galleries began clapping and shouting with all their might, and the man stopped and began smiling and bowing to all sides. Then other men and women danced with bare legs. Then the king again shouted to the sound of music, and they all began singing. But suddenly a storm came on, chromatic scales and diminished sevenths were heard in the orchestra, everyone ran off, again dragging one of their number away, and the curtain dropped. Once more there was a terrible noise and clatter among the audience, and with rapturous faces everyone began shouting: “Duport! Duport! Duport!” Natásha no longer thought this strange. She looked about with pleasure, smiling joyfully.
“Isn’t Duport delightful?” Elèn asked her.
“Oh, yes,” replied Natásha.
X
During the entr’acte a whiff of cold air came into Elèn’s box, the door opened, and Anatole entered, stooping and trying not to brush against anyone.
“Let me introduce my brother to you,” said Elèn, her eyes shifting uneasily from Natásha to Anatole.
Natásha turned her pretty little head toward the elegant young officer and smiled at him over her bare shoulder. Anatole, who was as handsome