At home, they had not yet gone to bed. The young people, after returning from the theater, had had supper and were grouped round the clavichord. As soon as Nikoláy entered, he was enfolded in that poetic atmosphere of love which pervaded the Rostóv household that winter and, now after Dólokhov’s proposal and Iogel’s ball, seemed to have grown thicker round Sónya and Natásha as the air does before a thunderstorm. Sónya and Natásha, in the light-blue dresses they had worn at the theater, looking pretty and conscious of it, were standing by the clavichord, happy and smiling. Véra was playing chess with Shinshín in the drawing room. The old countess, waiting for the return of her husband and son, sat playing patience with the old gentlewoman who lived in their house. Denísov, with sparkling eyes and ruffled hair, sat at the clavichord striking chords with his short fingers, his legs thrown back and his eyes rolling as he sang, with his small, husky, but true voice, some verses called “Enchantress,” which he had composed, and to which he was trying to fit music: