“Yes, it really is Bezúkhov in a coachman’s coat, with a queer-looking old boy. Really,” said Natásha, “look, look!”
“No, it’s not he. How can you talk such nonsense?”
“Mamma,” screamed Natásha, “I’ll stake my head it’s he! I assure you! Stop, stop!” she cried to the coachman.
But the coachman could not stop, for from the Meshchánski Street came more carts and carriages, and the Rostóvs were being shouted at to move on and not block the way.
In fact, however, though now much farther off than before, the Rostóvs all saw Pierre—or someone extraordinarily like him—in a coachman’s coat, going down the street with head bent and a serious face beside a small, beardless old man who looked like a footman. That old man noticed a face thrust out of the carriage window gazing at them, and respectfully touching Pierre’s elbow said something to him and pointed to the carriage. Pierre, evidently engrossed in thought, could not at first understand him. At length when he had understood and looked in the direction the old man indicated, he recognized Natásha, and following his first impulse stepped instantly and rapidly toward the coach. But having taken a dozen steps he seemed to remember something and stopped.
Natásha’s face, leaning out of the window, beamed with quizzical kindliness.
“Pyotr Kirílych, come here! We have recognized you! This is wonderful!” she cried, holding out her hand to him. “What are you doing? Why are you like this?”
Pierre took her outstretched hand and kissed it awkwardly as he walked along beside her while the coach still moved on.