The strains of the polonaise, which had continued for a considerable time, had begun to sound like a sad reminiscence to Natásha’s ears. She wanted to cry. Perónskaya had left them. The count was at the other end of the room. She and the countess and Sónya were standing by themselves as in the depths of a forest amid that crowd of strangers, with no one interested in them and not wanted by anyone. Prince Andréy with a lady passed by, evidently not recognizing them. The handsome Anatole was smilingly talking to a partner on his arm and looked at Natásha as one looks at a wall. Borís passed them twice and each time turned away. Berg and his wife, who were not dancing, came up to them.
This family gathering seemed humiliating to Natásha—as if there were nowhere else for the family to talk but here at the ball. She did not listen to or look at Véra, who was telling her something about her own green dress.
At last the Emperor stopped beside his last partner (he had danced with three) and the music ceased. A worried aide-de-camp ran up to the Rostóvs requesting them to stand farther back, though as it was they were already close to the wall, and from the gallery resounded the distinct, precise, enticingly rhythmical strains of a waltz. The Emperor looked smilingly down the room. A minute passed but no one had yet begun dancing. An aide-de-camp, the Master of Ceremonies, went up to Countess Bezúkhova and asked her to dance. She smilingly raised her hand and laid it on his shoulder without looking at him. The aide-de-camp, an adept in his art, grasping his partner firmly round her waist, with confident deliberation started smoothly, gliding first round the edge of the circle, then at the corner of the room he caught Elèn’s left hand and turned her, the only sound audible, apart from the ever-quickening music, being the rhythmic click of the spurs on his rapid, agile feet, while at every third beat his partner’s velvet dress spread out and seemed to flash as she whirled round. Natásha gazed at them and was ready to cry because it was not she who was dancing that first turn of the waltz.