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1812: Part I

to regret that he was thus depriving himself of chances of meeting her. But that day’s encounter in church had, he felt, sunk deeper than was desirable for his peace of mind. That pale, sad, refined face, that radiant look, those gentle graceful gestures, and especially the deep and tender sorrow expressed in all her features agitated him and evoked his sympathy. In men Rostóv could not bear to see the expression of a higher spiritual life (that was why he did not like Prince Andréy) and he referred to it contemptuously as philosophy and dreaminess, but in Princess Márya that very sorrow which revealed the depth of a whole spiritual world foreign to him was an irresistible attraction.

“She must be a wonderful woman. A real angel!” he said to himself. “Why am I not free? Why was I in such a hurry with Sónya?” And he involuntarily compared the two: the lack of spirituality in the one and the abundance of it in the other⁠—a spirituality he himself lacked and therefore valued most highly. He tried to picture what would happen were he free. How he would propose to her and how she would become his wife. But no, he could not imagine that. He felt awed, and no clear picture presented itself to his mind. He had long ago pictured to himself a future with Sónya, and that was all clear and simple just because it had all been thought out and he knew all there was in Sónya, but it was impossible to picture a future with Princess Márya, because he did not understand her but simply loved her.

Reveries about Sónya had had something merry and playful in them, but to dream

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