Dólokhov, who had reappeared that year in Moscow after his exile and his Persian adventures, and was leading a life of luxury, gambling, and dissipation, associated with his old Petersburg comrade Kurágin and made use of him for his own ends.

Anatole was sincerely fond of Dólokhov for his cleverness and audacity. Dólokhov, who needed Anatole Kurágin’s name, position, and connections as a bait to draw rich young men into his gambling set, made use of him and amused himself at his expense without letting the other feel it. Apart from the advantage he derived from Anatole, the very process of dominating another’s will was in itself a pleasure, a habit, and a necessity to Dólokhov.

Natásha had made a strong impression on Kurágin. At supper after the opera he described to Dólokhov with the air of a connoisseur the attractions of her arms, shoulders, feet, and hair and expressed his intention of making love to her. Anatole had no notion and was incapable of considering what might come of such lovemaking, as he never had any notion of the outcome of any of his actions.