Everyone moved back, and the Emperor came smiling out of the drawing room leading his hostess by the hand but not keeping time to the music. The host followed with Márya Antónovna Narýshkina; then came ambassadors, ministers, and various generals, whom Perónskaya diligently named. More than half the ladies already had partners and were taking up, or preparing to take up, their positions for the polonaise. Natásha felt that she would be left with her mother and Sónya among a minority of women who crowded near the wall, not having been invited to dance. She stood with her slender arms hanging down, her scarcely defined bosom rising and falling regularly, and with bated breath and glittering, frightened eyes gazed straight before her, evidently prepared for the height of joy or misery. She was not concerned about the Emperor or any of those great people whom Perónskaya was pointing out⁠—she had but one thought: “Is it possible no one will ask me, that I shall not be among the first to dance? Is it possible that not one of all these men will notice me? They do not even seem to see me, or if they do they look as if they were saying, ‘Ah, she’s not the one I’m after, so it’s not worth looking at her!’ No, it’s impossible,” she thought. “They must know how I long to dance, how splendidly I dance, and how they would enjoy dancing with me.”