“You know,” said Natásha, “you have read the Gospels a great deal—there is a passage in them that just fits Sónya.”
“What?” asked Countess Márya, surprised.
“ ‘To him that hath shall be given, and from him that hath not shall be taken away.’ You remember? She is one that hath not; why, I don’t know. Perhaps she lacks egotism, I don’t know, but from her is taken away, and everything has been taken away. Sometimes I am dreadfully sorry for her. Formerly I very much wanted Nicolas to marry her, but I always had a sort of presentiment that it would not come off. She is a sterile flower , you know—like some strawberry blossoms. Sometimes I am sorry for her, and sometimes I think she doesn’t feel it as you or I would.”
Though Countess Márya told Natásha that those words in the Gospel must be understood differently, yet looking at Sónya she agreed with Natásha’s explanation. It really seemed that Sónya did not feel her position trying, and had grown quite reconciled to her lot as a sterile flower . She seemed to be fond not so much of individuals as of the family as a whole. Like a cat, she had attached herself not to the people but to the home. She waited on the old countess, petted and spoiled the children, was always ready to render the small services for which she had a gift, and all this was unconsciously accepted from her with insufficient gratitude.
The country seat at Bald Hills had been rebuilt, though not on the same scale as under the old prince.
The buildings, begun under straitened circumstances, were more than simple. The immense house on the old stone foundations was of wood, plastered only inside. It had bare deal floors and was furnished with very simple hard sofas, armchairs, tables, and chairs made by their own serf carpenters out of their own birchwood. The house was spacious and had rooms for the house serfs and apartments for visitors. Whole families of