but he was silent with his steward, the gardener, and the architect, and though he looked very grim he said nothing to anyone.
When Princess Márya went to him at the usual hour he was working at his lathe and, as usual, did not look round at her.
“Ah, Princess Márya!” he said suddenly in an unnatural voice, throwing down his chisel. (The wheel continued to revolve by its own impetus, and Princess Márya long remembered the dying creak of that wheel, which merged in her memory with what followed.)
She approached him, saw his face, and something gave way within her. Her eyes grew dim. By the expression of her father’s face, not sad, not crushed, but angry and working unnaturally, she saw that hanging over her and about to crush her was some terrible misfortune, the worst in life, one she had not yet experienced, irreparable and incomprehensible—the death of one she loved.
“Father! André!”—said the ungraceful, awkward princess with such an indescribable charm of sorrow and self-forgetfulness that her father could not bear her look but turned away with a sob.
“Bad news! He’s not among the prisoners nor among the killed! Kutúzov writes …” and he screamed as piercingly as if he wished to drive the princess away by that scream … “Killed!”
The princess did not fall down or faint. She was already pale, but on hearing these words her face changed and something brightened in her beautiful, radiant eyes. It was as if joy—a supreme joy apart from the joys and sorrows of this world—overflowed the great grief within her. She forgot all fear of her father, went up to him,