the screen in the dark corner. And this someone was he —the devil—and he was also this man with the white forehead, black eyebrows, and red lips.
She rang for her maid and asked her to sleep in her room.
Mademoiselle Bourienne walked up and down the conservatory for a long time that evening, vainly expecting someone, now smiling at someone, now working herself up to tears with the imaginary words of her pauvre mère rebuking her for her fall.
The little princess grumbled to her maid that her bed was badly made. She could not lie either on her face or on her side. Every position was awkward and uncomfortable, and her burden oppressed her now more than ever because Anatole’s presence had vividly recalled to her the time when she was not like that and when everything was light and gay.
She sat in an armchair in her dressing jacket and nightcap and Katya, sleepy and disheveled, beat and turned the heavy feather bed for the third time, muttering to herself.
“I told you it was all lumps and holes!” the little princess repeated. “I should be glad enough to fall asleep, so it’s not my fault!” and her voice quivered like that of a child about to cry.
The old prince did not sleep either. Tíkhon, half asleep, heard him pacing angrily about and snorting. The old prince felt as though he had been insulted through his daughter. The insult was the more pointed because it concerned not himself but another, his daughter, whom he loved more than himself. He kept telling himself that he would consider the whole matter and decide what was right and how he should act, but instead of that