A tall, beautiful woman with a mass of plaited hair and much exposed plump white shoulders and neck, round which she wore a double string of large pearls, entered the adjoining box rustling her heavy silk dress and took a long time settling into her place.
Natásha involuntarily gazed at that neck, those shoulders, and pearls and coiffure, and admired the beauty of the shoulders and the pearls. While Natásha was fixing her gaze on her for the second time the lady looked round and, meeting the count’s eyes, nodded to him and smiled. She was the Countess Bezúkhova, Pierre’s wife, and the count, who knew everyone in society, leaned over and spoke to her.
“Have you been here long, Countess?” he inquired. “I’ll call, I’ll call to kiss your hand. I’m here on business and have brought my girls with me. They say Semënova acts marvelously. Count Pyotr Kirílovich never used to forget us. Is he here?”
“Yes, he meant to look in,” answered Elèn, and glanced attentively at Natásha.
Count Ilyá Andréevich resumed his seat.
“Handsome, isn’t she?” he whispered to Natásha.
“Wonderful!” answered Natásha. “She’s a woman one could easily fall in love with.”
Just then the last chords of the overture were heard and the conductor tapped with his stick. Some latecomers took their seats in the stalls, and the curtain rose.
As soon as it rose everyone in the boxes and stalls became silent, and all the men, old and young, in uniform and evening dress, and all the women with gems on their bare flesh, turned their whole attention with eager curiosity to the stage. Natásha too began to look at it.