“That is probably the work of Vinesse,” said Pierre, mentioning a celebrated miniaturist, and he leaned over the table to take the snuffbox while trying to hear what was being said at the other table.
He half rose, meaning to go round, but the aunt handed him the snuffbox, passing it across Elèn’s back. Elèn stooped forward to make room, and looked round with a smile. She was, as always at evening parties, wearing a dress such as was then fashionable, cut very low at front and back. Her bust, which had always seemed like marble to Pierre, was so close to him that his shortsighted eyes could not but perceive the living charm of her neck and shoulders, so near to his lips that he need only have bent his head a little to have touched them. He was conscious of the warmth of her body, the scent of perfume, and the creaking of her corset as she moved. He did not see her marble beauty forming a complete whole with her dress, but all the charm of her body only covered by her garments. And having once seen this he could not help being aware of it, just as we cannot renew an illusion we have once seen through.
“So you have never noticed before how beautiful I am?” Elèn seemed to say. “You had not noticed that I am a woman? Yes, I am a woman who may belong to anyone—to you too,” said her glance. And at that moment Pierre felt that Elèn not only could, but must, be his wife, and that it could not be otherwise.
He knew this at that moment as surely as if he had been standing at the altar with her. How and when this would be he did not know, he did not even know if it would be a good thing (he even felt, he knew not why, that it would be a bad thing), but he knew it would happen.
Pierre dropped his eyes, lifted them again, and wished once more to see her as a distant beauty far removed from him, as he had seen her every day until then, but he could no longer do it. He could not, any more