lived only in hope of seeing him that night. But now that the moment had come she was filled with dread of what she might see. How was he maimed? What was left of him? Was he like that incessant moaning of the adjutant’s? Yes, he was altogether like that. In her imagination he was that terrible moaning personified. When she saw an indistinct shape in the corner, and mistook his knees raised under the quilt for his shoulders, she imagined a horrible body there, and stood still in terror. But an irresistible impulse drew her forward. She cautiously took one step and then another, and found herself in the middle of a small room containing baggage. Another man—Timókhin—was lying in a corner on the benches beneath the icons, and two others—the doctor and a valet—lay on the floor.
The valet sat up and whispered something. Timókhin, kept awake by the pain in his wounded leg, gazed with wide-open eyes at this strange apparition of a girl in a white chemise, dressing jacket, and nightcap.
The valet’s sleepy, frightened exclamation, “What do you want? What’s the matter?” made Natásha approach more swiftly to what was lying in the corner. Horribly unlike a man as that body looked, she must see him.
She passed the valet, the snuff fell from the candle wick, and she saw Prince Andréy clearly with his arms outside the quilt, and such as she had always seen him.
He was the same as ever, but the feverish color of his face, his glittering eyes rapturously turned toward her, and especially his neck, delicate as a child’s, revealed by the turndown collar of his shirt, gave him a peculiarly innocent, childlike look, such as she had