believe his own ears. That Prince Andréy’s deeply loved affianced wife—the same Natásha Rostóva who used to be so charming—should give up Bolkónski for that fool Anatole who was already secretly married (as Pierre knew), and should be so in love with him as to agree to run away with him, was something Pierre could not conceive and could not imagine.
He could not reconcile the charming impression he had of Natásha, whom he had known from a child, with this new conception of her baseness, folly, and cruelty. He thought of his wife. “They are all alike!” he said to himself, reflecting that he was not the only man unfortunate enough to be tied to a bad woman. But still he pitied Prince Andréy to the point of tears and sympathized with his wounded pride, and the more he pitied his friend the more did he think with contempt and even with disgust of that Natásha who had just passed him in the ballroom with such a look of cold dignity. He did not know that Natásha’s soul was overflowing with despair, shame, and humiliation, and that it was not her fault that her face happened to assume an expression of calm dignity and severity.