Bilíbin liked conversation as he liked work, only when it could be made elegantly witty. In society he always awaited an opportunity to say something striking and took part in a conversation only when that was possible. His conversation was always sprinkled with wittily original, finished phrases of general interest. These sayings were prepared in the inner laboratory of his mind in a portable form as if intentionally, so that insignificant society people might carry them from drawing room to drawing room. And, in fact, Bilibine’s witticisms were hawked about in the Viennese drawing rooms and often had an influence on matters considered important.

His thin, worn, sallow face was covered with deep wrinkles, which always looked as clean and well washed as the tips of one’s fingers after a Russian bath. The movement of these wrinkles formed the principal play of expression on his face. Now his forehead would pucker into deep folds and his eyebrows were lifted, then his eyebrows would descend and deep wrinkles would crease his cheeks. His small, deep-set eyes always twinkled and looked out straight.

“Well, now tell me about your exploits,” said he.