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nydus/War and PeacePublic
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Table of Contents

I. Absolute continuity of motion

⁠…”

“I consider,” Natásha suddenly almost shouted, turning her angry face to Pétya, “I consider it so horrid, so abominable, so⁠ ⁠… I don’t know what. Are we despicable Germans?”

Her throat quivered with convulsive sobs and, afraid of weakening and letting the force of her anger run to waste, she turned and rushed headlong up the stairs.

Berg was sitting beside the countess consoling her with the respectful attention of a relative. The count, pipe in hand, was pacing up and down the room, when Natásha, her face distorted by anger, burst in like a tempest and approached her mother with rapid steps.

“It’s horrid! It’s abominable!” she screamed. “You can’t possibly have ordered it!”

Berg and the countess looked at her, perplexed and frightened. The count stood still at the window and listened.

“Mamma, it’s impossible: see what is going on in

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