All the old methods that had been unfailingly crowned with success: the concentration of batteries on one point, an attack by reserves to break the enemy’s line, and a cavalry attack by “the men of iron,” all these methods had already been employed, yet not only was there no victory, but from all sides came the same news of generals killed and wounded, of reinforcements needed, of the impossibility of driving back the Russians, and of disorganization among his own troops.
Formerly, after he had given two or three orders and uttered a few phrases, marshals and adjutants had come galloping up with congratulations and happy faces, announcing the trophies taken, the corps of prisoners, bundles of enemy eagles and standards, cannon and stores, and Murat had only begged leave to loose the cavalry to gather in the baggage wagons. So it had been at Lodi, Marengo, Arcola, Jena, Austerlitz, Wagram, and so on. But now something strange was happening to his troops.
Despite news of the capture of the flèches , Napoleon saw that this was not the same, not at all the same, as what had happened in his former battles. He saw that what he was feeling was felt by all the men about him experienced in the art of war. All their faces looked dejected, and they all shunned one another’s eyes—only a de Beausset could fail to grasp the meaning of what was happening.
But Napoleon with his long experience of war well knew the meaning of a battle not gained by the attacking side in eight hours, after all efforts had been expended. He knew that it was a lost battle and that the least accident might now—with the fight balanced on such a strained center—destroy him and his army.
When he ran his mind over the whole of this strange Russian campaign in which not one battle had been won, and in which not a flag, or cannon, or army corps had been captured in two months, when he