Having jerked out these last words as soldiers do and waved his arms as if flinging something to the ground, the drummer—a lean, handsome soldier of forty—looked sternly at the singers and screwed up his eyes. Then having satisfied himself that all eyes were fixed on him, he raised both arms as if carefully lifting some invisible but precious object above his head and, holding it there for some seconds, suddenly flung it down and began:
“Oh, my bower, oh, my bower … !”
“Oh, my bower new … !” chimed in twenty voices, and the castanet player, in spite of the burden of his equipment, rushed out to the front and, walking backwards before the company, jerked his shoulders and flourished his castanets as if threatening someone. The soldiers, swinging their arms and keeping time spontaneously, marched with long steps. Behind the company the sound of wheels, the creaking of springs, and the tramp of horses’ hoofs were heard. Kutúzov and his suite were returning to the town. The commander in chief made a sign that the men should continue to march at ease, and he and all his suite showed pleasure at the sound of the singing and the sight of the dancing soldier and the gay and smartly marching men. In the second file from the right flank, beside which the carriage passed the company, a blue-eyed soldier involuntarily attracted notice. It was Dólokhov marching with particular grace and boldness in time to the song and looking at those driving past as if he pitied all who were not at that moment marching with the company. The hussar cornet of Kutúzov’s suite who had mimicked the regimental commander, fell back from the carriage and rode up to Dólokhov.
Hussar cornet Zherkóv had at one time, in Petersburg, belonged to the wild set led by Dólokhov. Zherkóv had met Dólokhov abroad as a private and had not seen fit to recognize him. But now that Kutúzov had spoken to the gentleman ranker, he addressed him with the cordiality of an old friend.