“Be quiet,” hissed Settembrini, at her side. He and Naphta were with her in the room. Greatly moved, with both hands he waved the onlookers toward the bed and summoned them to mourn with him. “ Un giovanotto tanto simpatico, tanto stimabile ,” said he repeatedly.

And Naphta, without looking at him, or relaxing his contained manner, apparently could not refrain from saying, low and bitingly: “I am glad to see that despite your enthusiasm for freedom and progress, you have some feeling for serious things.”

Settembrini pocketed the affront. Perhaps he felt conscious, under the circumstances of the moment, of the superiority of Naphta’s position over his own; may even have sought to balance this by the lively expression of his grief, especially when Leo Naphta further presumed on his advantage, while he had it, and sententiously added: “The mistake you literary men make is in thinking that only the spirit makes for virtue. It is nearer the truth to say that only where there is no spirit is there true virtue.”