; or well-built, facile waltzes, marches so spirited that he could not help keeping time with his head, and gay mazurkas. Mazurka? No, Marusja was her name, Marusja of the little ruby. And in the next loggia, behind the thick wall of milky glass, lay Joachim, with whom Hans Castorp exchanged a word now and then, low-toned, out of consideration for the other horizontallers. Joachim was as well off in his loggia as Hans Castorp in his, though, being entirely unmusical, he could not take the same pleasure in the concerts. Too bad! He was probably studying his Russian primer instead. But Hans Castorp let Ocean Steamships fall on the coverlet and gave himself up to the music; he contemplated with such inward gratification the translucent depth of a musical invention full of individuality and charm that he thought with nothing but hostility of Settembrini and the irritating things he had said about music⁠—that it was politically suspect was the worst, and little better than the remark of Grandfather Giuseppe about the July Revolution and the six days of creation.