Heidekind considered it a blood-maker⁠—and certainly Hans Castorp found it most soothing to his spirits and encouraging to a propensity of his, which his Uncle Tienappel called “dozing”: namely, sitting staring into space, with his jaw dropped and his thoughts fixed on just nothing at all. But on the whole he was sound and fit, an adequate tennis player and rower; though actually handling the oars was less to his taste than sitting of a summer evening on the terrace of the Uhlenhorst ferry-house, with a good drink before him and the sound of music in his ears, while he watched the lighted boats, and the swans mirrored in the bright water. Hear him talk, sedate and sensible, in a rather low, monotonous voice, just tinged with dialect; observe him in his blond correctness, with his well-shaped head, which had about it some stamp of the classic, and his self-possessed, indolent bearing, the fruit of innate, inherited, perfectly unconscious self-esteem⁠—you would swear that this young Castorp was a legitimate and genuine product of the soil in which he flourished, and strikingly at home in his environment. Nor would he, had he ever put such a question to himself, have been for a single second doubtful of the answer.