“Your own as well,” Behrens said. “Your ‘plasticity’⁠—so far as you have any⁠—is fat too, though of course not to the same extent as with a woman. With us fat is only about five percent of the body weight, in females it is one sixteenth of the whole. Without that subcutaneous cell structure of ours, we should all be nothing but fungoid growths. It disappears, with time, and then come the unaesthetic wrinkles in the drapery. The layer is thickest on the female breast and belly, on the front of the thighs, everywhere, in short, where there is a little something for heart and hand to take hold of. The soles of the feet are fat and ticklish.”

Hans Castorp turned the cylindrical coffee-mill about in his hands. It was, like the rest of the set, Indian or Persian rather than Turkish; the style of the engraving showed that, with the bright surface of the pattern standing out against the purposely dulled background. He looked at the design, without immediately seeing what it was. When he did, he blushed unawares.

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