It was a lady who was passing through the room; a woman, or rather girl, of middle height, in a white sweater and coloured skirt, her reddish-blond hair wound in braids about her head. Hans Castorp had only a glimpse of her profile. She moved, in singular contrast to the noise of her entrance, almost without sound, passing with a peculiarly gliding step, her head a little thrust forward, to her place at the furthest table on the left, at right angles to the verandah door: the “good” Russian table, in fact. As she walked, she held one hand deep in the pocket of her close-fitting jacket; the other she lifted to the back of her head and arranged the plaits of her hair. Hans Castorp looked at the hand. He was habitually observant and critical of this feature, and accustomed when he made a new acquaintance to direct his attention first upon it. It was not particularly ladylike, this hand that was putting the braids to rights; not so refined and well kept as the hands of ladies in Hans Castorp’s own social sphere. Rather broad, with stumpy fingers, it had about it something primitive and childish, something indeed of the schoolgirl.