A woman was walking in the garden, an elderly lady, of melancholy, even tragic aspect. Dressed all in black, a black veil wound about her dishevelled grey-black hair, with wrinkled brow and coal-black eyes that had hanging pouches of skin beneath them, she moved with rapid, restless step along the garden paths, staring straight before her, her knees a little bent, her arms hanging stiffly down. The ageing face in its southern pallor, with the large, wried mouth drawn down on one side, reminded Hans Castorp of a portrait he had once seen of a famous tragic actress. And strange it was to see how the pale, black-clad woman unconsciously matched her long, woeful pace to the music of the march.