But he went up in the lift with Joachim and several other patients as well, for the conviviality was over for the evening; the guests were separating to seek the halls and loggias for the evening cure. Hans Castorp went into his cousin’s room. The corridor floor, with its strip of narrow coco matting, billowed beneath his feet, but this, apart from its singularity, was not unpleasant. He sat down in Joachim’s great flowered armchair⁠—there was one just like it in his own room⁠—and lighted his Maria Mancini. It tasted like glue, like coal, like anything but what it should taste like. Still he smoked on, as he watched Joachim making ready for his cure, putting on his house jacket, then an old overcoat, then, armed with his night-lamp and Russian primer, going into the balcony. He turned on the light, lay down with his thermometer in his mouth, and began, with astonishing dexterity, to wrap himself in the two camel’s-hair rugs that were spread out over his chair. Hans Castorp looked on with honest admiration for his skill. He flung the covers over him, one after the other: first from the left side, all their length up to his shoulders, then from the feet up, then from the right side, so that he formed, when finished, a neat compact parcel, out of which stuck only his head, shoulders, and arms.