Swann, the unconscious author of my sufferings, the hall through which I would journey to the first step of that staircase, so hard to climb, which constituted, all by itself, the tapering “elevation” of an irregular pyramid; and, at the summit, my bedroom, with the little passage through whose glazed door Mamma would enter; in a word, seen always at the same evening hour, isolated from all its possible surroundings, detached and solitary against its shadowy background, the bare minimum of scenery necessary (like the setting one sees printed at the head of an old play, for its performance in the provinces) to the drama of my undressing, as though all Combray had consisted of but two floors joined by a slender staircase, and as though there had been no time there but seven o’clock at night. I must own that I could have assured any questioner that Combray did include other scenes and did exist at other hours than these. But since the facts which I should then have recalled would have been prompted only by an exercise of the will, by my intellectual memory, and since the pictures which that kind of memory shows us of the past preserve nothing of the past itself, I should never have had any wish to ponder over this residue of Combray. To me it was in reality all dead.