de Guermantes, reducing the speed of her utterances to bring into even bolder relief the words which she had the air of modelling with the pout of her fine lips, drawing them out with her long expressive hands, directing on the Princess as she spoke a gentle, steady and searching gaze, “that with the palms and the golden crown at the side of it was most moving, it was just the arrangement of Gustave Moreau’s Death and the Young Man