that stone, it was she, the illustrious Virgin whom until then I had endowed with a general existence and an intangible beauty, the Virgin of Balbec, the unique (which meant, alas, the only one) who, on her body coated with the same soot as defiled the neighbouring houses, would have displayed—powerless to rid herself of them—to all the admiring strangers come there to gaze upon her, the marks of my piece of chalk and the letters of my name; it was she, indeed, the immortal work of art, so long desired, whom I found, transformed, as was the church itself, into a little old woman in stone whose height I could measure and count her wrinkles. But time was passing; I must return to the station, where I was to wait for my grandmother and Françoise, so that we should all arrive at Balbec-Plage together.
1847