You understand, we must avoid blunders when we are giving a party which ought to be worthy of Vinteuil, of his inspired interpreter, of yourself, and, I venture to say, of me. You were prepared to invite the Molé, and everything would have been spoiled. It would have been the little contrary, neutralising drop which deprives a potion of its virtue. The electric lights would have fused, the pastry would not have come in time, the orangeade would have given everybody a stomachache. She was the one person not to invite. At the mere sound of her name, as in a fairytale, not a note would have issued from the brass; the flute and the hautboy would have been stricken with a sudden silence. Morel himself, even if he had succeeded in playing a few bars, would not have been in tune, and instead of Vinteuil’s septet you would have had a parody of it by Beckmesser, ending amid catcalls. I, who believe strongly in personal influence, could feel quite plainly in the expansion of a certain largo, which opened itself right out like a flower, in the supreme satisfaction of the finale, which was not merely allegro but incomparably allegro, that the absence of the Molé was inspiring the musicians and was diffusing joy among the very instruments themselves.