Had I been free to stop, to get down from the carriage and to speak to the girl whom we were passing, should I perhaps have been disillusioned by some fault in her complexion which from the carriage I had not distinguished? (After which every effort to penetrate into her life would have seemed suddenly impossible. For beauty is a sequence of hypotheses which ugliness cuts short when it bars the way that we could already see opening into the unknown.) Perhaps a single word which she might have uttered, a smile would have furnished me with a key, a clue that I had not expected, to read the expression of her face, to interpret her bearing, which would at once have ceased to be of any interest.

1992