And not only does one not seize at once and retain an impression of works that are really great, but even in the content of any such work (as befell me in the case of Vinteuil’s sonata) it is the least valuable parts that one at first perceives. Thus it was that I was mistaken not only in thinking that this work held nothing further in store for me (so that for a long time I made no effort to hear it again) from the moment in which

Mme.

1501