Making a pretence of not seeing the seedy individual who was following in his wake (whenever the Baron ventured into the Boulevards or crossed the waiting-room in Saint-Lazarre station, these followers might be counted by the dozen who, in the hope of “touching him for a dollar,” never let him out of their sight), and afraid at the same time that the other might have the audacity to accost him, the Baron had devoutly lowered his darkened eyelids which, in contrast to his rice-powdered cheeks, gave him the appearance of a Grand Inquisitor painted by El Greco. But this priestly expression caused alarm, and he looked like an unfrocked priest, various compromises to which he had been driven by the need to apologise for his taste and to keep it secret having had the effect of bringing to the surface of his face precisely what the Baron sought to conceal, a debauched life indicated by moral decay. This last, indeed, whatever be its cause, is easily detected, for it is never slow in taking bodily form and proliferates upon a face, especially on the cheeks and round the eyes, as physically as the ochreous yellows accumulate there in a case of jaundice or repulsive reds in a case of skin disease.
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