Meanwhile, to dissipate, in the course of this interminable assent, the mortal anguish which I felt in penetrating thus in silence the mystery of this chiaroscuro so devoid of poetry, lighted by a single vertical line of little windows which were those of the solitary water-closet on each landing, I addressed a few words to the young organist, artificer of my journey and my partner in captivity, who continued to manipulate the registers of his instrument and to finger the stops. I apologised for taking up so much room, for giving him so much trouble, and asked whether I was not obstructing him in the practice of an art to which, so as to flatter the performer, I did more than display curiosity, I confessed my strong attachment. But he vouchsafed no answer, whether from astonishment at my words, preoccupation with what he was doing, regard for convention, hardness of hearing, respect for holy ground, fear of danger, slowness of understanding, or by the manager’s orders.