Verdurin, pointing to the roses which he had sent her that morning, said: “I am furious with you!” and sent him to the place kept for him, by the side of Odette, the pianist would play to them⁠—for their two selves, and for no one else⁠—that little phrase by Vinteuil which was, so to speak, the national anthem of their love. He began, always, with a sustained tremolo from the violin part, which, for several bars, was unaccompanied, and filled all the foreground; until suddenly it seemed to be drawn aside, and⁠—just as in those interiors by Pieter de Hooch, where the subject is set back a long way through the narrow framework of a half-opened door⁠—infinitely remote, in colour quite different, velvety with the radiance of some intervening light, the little phrase appeared, dancing, pastoral, interpolated, episodic, belonging to another world. It passed, with simple and immortal movements, scattering on every side the bounties of its grace, smiling ineffably still; but Swann thought that he could now discern in it some disenchantment. It seemed to be aware how vain, how hollow was the happiness to which it showed the way. In its airy grace there was, indeed, something definitely achieved, and complete in itself, like the mood of philosophic detachment which follows an outburst of vain regret.