As in the illegible notebooks in which a chemist of genius, who does not know that death is at hand, jots down discoveries which will perhaps remain forever unknown, Mlle. Vinteuil’s friend had disentangled, from papers more illegible than strips of papyrus, dotted with a cuneiform script, the formula eternally true, forever fertile, of this unknown joy, the mystic hope of the crimson Angel of the dawn. And I to whom, albeit not so much perhaps as to Vinteuil, she had been also, she had been once more this very evening, by reviving afresh my jealousy of Albertine, she was above all in the future to be the cause of so many sufferings, it was thanks to her, in compensation, that there had been able to come to my ears the strange appeal which I should never for a moment cease to hear, as the promise and proof that there existed something other, realisable no doubt by art, than the nullity that I had found in all my pleasures and in love itself, and that if my life seemed to me so empty, at least there were still regions unexplored.