Then Mamma sought to distract my mind, asked me what I thought of having for dinner, drew my attention to Françoise, complimented her on a hat and cloak which she did not recognise, in spite of their having horrified her long ago when she first saw them, new, upon my great-aunt, one with an immense bird towering over it, the other decorated with a hideous pattern and jet beads. But the cloak having grown too shabby to wear, Françoise had had it turned, exposing an “inside” of plain cloth and quite a good colour. As for the bird, it had long since come to grief and been thrown away. And just as it is disturbing, sometimes, to find the effects which the most conscious artists attain only by an effort occurring in a folksong, on the wall of some peasant’s cottage where above the door, at the precisely right spot in the composition, blooms a white or yellow rose⁠—so the velvet band, the loop of ribbon which would have delighted one in a portrait by Chardin or Whistler, Françoise had set with a simple but unerring taste upon the hat, which was now charming.