de Crécy was in the small drawing-room. He would go in search of her, and, when he opened the door, on Odette’s blushing countenance, as soon as she caught sight of Swann, would appear⁠—changing the curve of her lips, the look in her eyes, the moulding of her cheeks⁠—an all-absorbing smile. Once he was left alone he would see again that smile, and her smile of the day before, another with which she had greeted him sometime else, the smile which had been her answer, in the carriage that night, when he had asked her whether she objected to his rearranging her cattleyas; and the life of Odette at all other times, since he knew nothing of it, appeared to him upon a neutral and colourless background, like those sheets of sketches by Watteau upon which one sees, here and there, in every corner and in all directions, traced in three colours upon the buff paper, innumerable smiles.

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