de Charlus who in his comfortable state as a wealthy man ridiculed the poverty of the Queen was himself often to be heard extolling that poverty and, when anyone spoke of Princesse Murat, Queen of the Two Sicilies, would reply: “I do not know to whom you are alluding. There is only one Queen of Naples, who is a sublime person and does not keep a carriage. But from her omnibus she annihilates every vehicle on the street and one could kneel down in the dust on seeing her drive past.” “I shall bequeath it to a museum. In the meantime, it must be sent back to her, so that she need not hire a cab to come and fetch it. The wisest thing, in view of the historical interest of such an object, would be to steal the fan. But that would be awkward for her⁠—since it is probable that she does not possess another!” he added, with a shout of laughter. “Anyhow, you see that for my sake she came. And that is not the only miracle that I have performed. I do not believe that anyone at the present day has the power to move the people whom I have brought here. However, everyone must be given his due. Charlie and the rest of the musicians played divinely. And, my dear Mistress,” he added condescendingly, “you yourself have played your part on this occasion. Your name will not be unrecorded.