I had at length the pleasure of seeing Swann come into this room, which was very big, so big that he did not at first catch sight of me. A pleasure mingled with sorrow, with a sorrow which the other guests did not, perhaps, feel, their feeling consisting rather in that sort of fascination which is exercised by the strange and unexpected forms of an approaching death, a death that a man already has, in the popular saying, written on his face. And it was with a stupefaction that was almost offensive, into which entered indiscreet curiosity, cruelty, a scrutiny at once quiet and anxious (a blend of suave mari magno and memento quia pulvis