Verdurin (for all that she did not despair of having herself, in so eminent a school, succeeded in acquiring them) those arts to which the “Mistress” attached such paramount importance, albeit they did but discriminate between shades of the Nonexistent, sculpture the void, and were, properly speaking, the Arts of Nonentity: to wit those, in the lady of a house, of knowing how to “bring people together,” how to “group,” to “draw out,” to “keep in the background,” to act as a “connecting link.”
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